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author | toma <toma@283d02a7-25f6-0310-bc7c-ecb5cbfe19da> | 2009-11-25 17:56:58 +0000 |
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committer | toma <toma@283d02a7-25f6-0310-bc7c-ecb5cbfe19da> | 2009-11-25 17:56:58 +0000 |
commit | e2de64d6f1beb9e492daf5b886e19933c1fa41dd (patch) | |
tree | 9047cf9e6b5c43878d5bf82660adae77ceee097a /arts/midi/README.midi | |
download | tdemultimedia-e2de64d6f1beb9e492daf5b886e19933c1fa41dd.tar.gz tdemultimedia-e2de64d6f1beb9e492daf5b886e19933c1fa41dd.zip |
Copy the KDE 3.5 branch to branches/trinity for new KDE 3.5 features.
BUG:215923
git-svn-id: svn://anonsvn.kde.org/home/kde/branches/trinity/kdemultimedia@1054174 283d02a7-25f6-0310-bc7c-ecb5cbfe19da
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-rw-r--r-- | arts/midi/README.midi | 261 |
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diff --git a/arts/midi/README.midi b/arts/midi/README.midi new file mode 100644 index 00000000..e341ca01 --- /dev/null +++ b/arts/midi/README.midi @@ -0,0 +1,261 @@ +Midi, Audio and Synchronization: +================================ + +1. Introduction +2. The midi manager +3. Midi synchronization +4. Audio timestamping and synchronization +5. Example code + + + 1. Introduction + --------------- + +Since aRts-1.0 (as shipped with KDE3.0), aRts provides a lot more +infrastructure to deal with midi, audio, and their synchronization. The main +goal is to provide a unified interface between sequencers (or other programs +that require notes or audio tracks to be played at certain given time stamps) +and underlying software/hardware that can play notes/audio tracks. + +Currently, there exist five distinct destinations that aRts supports, which +can all be used at the same time or individually, that is: + + * aRts synthetic midi instruments + * ALSA-0.5 + * ALSA-0.9 + * OSS + * other aRts modules (including but not limited to the playback/recording + of audio tracks) + + 2. The midi manager + ------------------- + +The midi manager is the basic component that connects between applications +that supply/record midi data, and devices that process midi data. Devices +might be both, virtual (as in software synthesis) or real (as in hardware +devices). + +From the view of the midi manager, all event streams correspond to one midi +client. So, a midi client might be an application (such as a sequencer) that +provides events, or an ALSA hardware device that consumes events. If there +are multiple event streams, they correspond to multiple clients. That is, +if an application wishes to play three different midi tracks, one over ALSA, +and two over two different synthetic instruments, it needs to register itself +three times, with three different clients. + +The midi managers job is to connect midi clients (as in event streams). It +maintains a list of connections that the user can modify with an application +like artscontrol. Applications could also, if they wish so, modify this +connection list. + +As a use case, we'll consider the following: you want to write a sequencer +application that plays back two different tracks to two different devices. +You want the user to be able to select these devices in a drop down box for +each track. + +1) getting a list of choices: + +First, you will want to obtain a list of choices which the user could possibly +connect your tracks to. You do so by reading the + +interface MidiManager { // SINGLETON: Arts_MidiManager + /** + * a list of clients + */ + readonly attribute sequence<MidiClientInfo> clients; + + //... +}; + +attribute. The three fields of each client that are interesting for you are + +struct MidiClientInfo { + long ID; + + //... + + MidiClientDirection direction; + MidiClientType type; + string title; +}; + +You would list those devices in the dropdown box that are of the appropriate +direction, which is mcdRecord, as you would want a client that receives midi +events (this might be confusing, but you look from the view of the client). + +Then, there is the type field, which tells you whether the client is a device- +like thing (like a synthetic instrument), or another application (like another +application currently recording a track). While it might not be an impossible +setup that you send events between two applications, usually users will choose +such clients that have mctDestination as type. + +Finally, you can list the titles in a drop down box, and keep the ID for making +a connection later. + +2) registering clients: + +You will need to register one client for each track. Use + + /** + * add a client + * + * this creates a new MidiManagerClient + */ + MidiClient addClient(MidiClientDirection direction, MidiClientType type, + string title, string autoRestoreID); + +to do so. + +3) connecting: + +As you probably don't want your sequencer user to use artscontrol to setup +connections between your tracks and the devices, you will need to connect +your clients to the hardware devices for playing something. + +You can connect clients to their appropriate destinations using + + /** + * connect two clients + */ + void connect(long clientID, long destinationID); + +and + + /** + * disconnect two clients + */ + void disconnect(long clientID, long destinationID); + +Keep in mind that a client might be connected to more than one destination +at the same time, so that you will need to disconnect the old destination +before connecting the new one. + +4) playing events: + +You can now play events to the tracks, using each client's + + MidiPort addOutputPort(); + +function for getting a port where you can send events to. However, you will +also need to ensure that the events will get synchronized as soon as you are +playing back events to different devices. Read the next section for details +on this. + + 3. Midi synchronization + ----------------------- + +As soon as you are writing a real sequencer, you might want to output to more +than one midi device at a time. For instance, you might want to let some of +your midi events be played by aRts synthesis, while others should be sent +over the external midi port. + +To support this setup, a new interface called MidiSyncGroup has been added. To +output midi events synchronized over more than one port, you proceed as follows: + +a) you obtain a reference to the midi manager object + + MidiManager midiManager = DynamicCast(Reference("global:Arts_MidiManager")); + if(midiManager.isNull()) arts_fatal("midimanager is null"); + +b) you create a midi synchronization group which will ensure that the + timestamps of your midi events will be synchronized + + MidiSyncGroup syncGroup = midiManager.addSyncGroup(); + +c) you add a client to the midi manager for each port you want to output + midi data over + + MidiClient client = midiManager.addClient(mcdPlay, mctApplication, "midisynctest", "midisynctest"); + MidiClient client2 = midiManager.addClient(mcdPlay, mctApplication, "midisynctest2", "midisynctest2"); + +d) you insert the clients in the synchronization group + + syncGroup.addClient(client); + syncGroup.addClient(client2); + +e) you create ports for each client as usual + + MidiPort port = client.addOutputPort(); + MidiPort port2 = client2.addOutputPort(); + +f) at this point, you will need to ensure that the midi clients you created + are connected, you can either leave the user with artscontrol for doing + this, or use the clients and connect methods of the midiManager object + yourself (see use case discussed in previous section) + +g) you output events over the ports as usual + + /* where t is a suitable TimeStamp */ + MidiEvent e = MidiEvent(t,MidiCommand(mcsNoteOn|0, notes[np], 100)); + port.processEvent(e); + port2.processEvent(e); + + 4. Audio timestamping and synchronization + ----------------------------------------- + +Audio in aRts is usually handled as structures consisting of small modules +that do something. While this model allows you to describe anything you want +to, from playing a sample to playing a synthetic sequence of notes with a +synthetic instruments, it doesn't give you any notion of time. More so, if +you build a large graph of objects, you might need quite some time for this, +and you will want to have them all started at the same time. + +To solve this issue, an AudioSync interface has been introduced, that allows +you to start() and stop() either synchronized at a specific point in time. + +Suppose you have two synthesis modules which together play back a sample. +What can you do to start them at the same time? + + Synth_PLAY_WAV wav = //... create on server + Synth_AMAN_PLAY sap //... create on server + AudioSync audioSync = //... create on server + + wav.filename("/opt/kde3/share/sounds/pop.wav"); + sap.title("midisynctest2"); + sap.autoRestoreID("midisynctest2"); + connect(wav,sap); + + // this queues back start() to be called atomically later + audioSync.queueStart(wav); + audioSync.queueStart(sap); + + // this line is a synchronized version of + // wav.start(); + // sap.start(); + audioSync.execute(); + +You could also play them back at a specific time in the future and query the +current time using the time and executeAt methods: + +interface AudioSync { + /** + * the current time + */ + readonly attribute TimeStamp time; + + //... + + /** + * atomically executes all queued modifications to the flow system + * at a given time + */ + void executeAt(TimeStamp timeStamp); +}; + +Finally, to get synchronized midi and audio, you can insert the AudioSync +object into a midi synchronization group, then their timestamps will be +synchronized to those of the midi channels. + + 5. Example code + --------------- + +An example that illustrates most things discussed in this document is +midisynctest.cc, which plays back two synchronized midi streams and samples. +Note that you might want to change the source code, as it hardcodes the +location of the .wav file. + + +Questions and comments are welcome. + +Stefan Westerfeld +stefan@space.twc.de |